She passed by Santa Fe when traveling through New Mexico in 1917, and she had dreamed of returning there ever since. Her aversion to the social requirements of city life grew stronger, and she found herself constantly distracted from her work. She produced and sold enough paintings that by the end of the 20s, she was more or less financially independent–a rather unique situation for a woman in those days. Georgia lived in New York for 11 years, spending her winters in the city and her summers in the Stieglitz family’s summer residence at Lake George. Her subjects reflected the emergence of the modern city, as well as untouched countryside, natural subjects, and nude studies of herself, sometimes executed in abstract perfection using solitary brush strokes, and sometimes in detailed oils and pastels–but always featuring the same bright colors. It was Stieglitz who organized the first exhibition of Georgia’s artworks in New York in 1923. Stieglitz was married, but what began as a professional relationship soon evolved into a passionate affair, and they were married in 1924. During a trip to New York in her student days, she met Stieglitz, who was 20 years her senior, and in 1918, she accepted his financial support and relocated to New York. This was how the foundation was laid for what would eventually become her trademark style. Because of the shortage of time and daylight, she had to execute her watercolors quickly, and make them abstract and paired down. Her afternoons were spent on the porch, producing lots of watercolors of the open vistas of Texas, its rugged settler towns, rickety pinwheels, and saturated, shimmering sunsets. Lacking financial means, she needed a source of income, and thus spent 1912–1918 living and working as a teacher in Amarillo and Canyon, Texas. During her teens and early youth, she occupied herself with training in classical painting, until her health issues and her father’s bankruptcy put a stop to that. Georgia Totto O’Keeffe was born on her parents’ dairy farm in Sun Prairie, Wisconsin. “I feel at home – I feel quiet – my skin feels close to the earth when I walk out into the red hills as I did last night – my cat following along like a dog.” The Sun Prairie, Wisconsin Years This resulted in a kind of precursor to today’s Instagram feeds, in which her everyday life was documented for posterity. She married Alfred Stieglitz, who has been referred to as the “Father of Modern Photography,” and from the very first, she was a popular subject of his. Every last object in her house reflected her as a person: minimalist and stripped bare, each with a clearly defined place and purpose. She made a home for herself in an inaccessible region of New Mexico, which was quite an exotic place in those days. She developed a personal, consistent style of clothing, which consisted of equal measures of androgynous artist and the dream of the Old West. Words by Miriam Parkman | Photo by Mira Svanered and Georgia O´Keeffe MuseumĮverything Georgia O’Keeffe made, painted, and sculpted is like a dream for any modern-day branding expert–she made paintings that became popular and sold well. Miriam Parkman tells us the fascinating story. Dreamy Obsessions and Finding Your Way Back HomeĪrtist and icon Georgia O’Keeffe’s was born in 1887, and lived almost for a full century, in a world that was constantly changing, but she remained remarkably timeless in every aspect of her being.
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